#IJIH vol.21_ , #Foreword

#Editorial , #Roslyn Russell

#Obituary

#Veiwpoints , #Alissandra Cummins

#Culture industry , #cultural economy , #Iranian Turks , #Nowruz

#Attachment , #Silvesterchlausen , #Constance Carnival , #alps , #performance , #practices , #ritual , #transmission , #participation

#Heptonstall , #Pace Egg , #Heptonstall Pace Egg , #Pace Egging , #Easter custom , #Mummer’s Play , #medieval mystery play , #spatial heritage , #performance heritage , #local heritage

#Water procession , #ritual adaptation , #hydrosocial territories , #authenticity , #Vietnam

#Ziyarah , #emotional landscapes , #ritual memory , #sacred cultural spaces , #humanities-informed planning

#Heritage transmission , #social system , #community organisation , #cultural revival , #ritual puppet performance , #traditional performing arts , #rural depopulation , #folk performance , #Izu Peninsula

#Shitalpati weaving , #murta cultivation , #land use , #traditional craftsmanship , #cultural landscape , #Bangladesh , #macro analysis , #weaving community , #ecology , #local resources

#Endangered material culture , #heritage preservation , #safeguarding , #co-production of knowledge , #museum representation , #traditional salt making , #asin tibuok , #EMKP , #anthropology of salt , #Bohol , #Philippines

#Bibimbap , #Jeonju bibimbap , #Jinju bibimbap , #heritage-making , #urbanisation , #community practice

#Paper-cutting , #commodification , #heritage-making , #marginal actors , #China

#Honba yuki tsumugi , #Japan , #heritage ecosystems , #traditional crafts , #weaving , #living heritage , #heritage safe-guarding , #capacity building , #cultural heritage industries

#Dengbêj , #identity , #traditional architecture , #Diyarbakir house , #spatial memory

#Architectural pedagogy , #intercultural design , #maritime heritage , #maquette-making , #Confluence Studio , #embodied knowledge.

#Tian Shi , #Book rivew