From. Vol 11. Masquerade as Memory: Conflict as Heritage in Lavras do...
From. Vol 9. A network of traditional knowledge: the intangible heri...
From. Vol 17. ‘We paint stories we heard from our ancestors’: Intangi...
From. Vol 8. ‘Community’ as a Landscape of Intangible Cultural Herit...
WE'RE LIVE IN 30 MINUTES ! 🚨 ICOM Webinar "Local Communities Strengthening Museums" starts at 3 p.m. (CEST). Follow the open live streaming in English, French or Spanish at this link 👉 https://t.co/2tgwZb9VN9 https://t.co/gfdvVfVZOp
IcomOfficielAug 05, 2020The rising of the Seine and the acqua alta threaten the collections of #museums. To prevent the disappearance of our #heritage, we need appropriate #copyrightlaws 🌊 @WIPO has the power to #FixCopyrightForHeritage ⚠️ #FixCopyrightForMuseums #WorldIPDay https://t.co/3dFXCCCrEl
IcomOfficielApr 26, 2020What music is filled with freedom, improvisation, unity, and joy? 🎷 JAZZ 🎷 On International #JazzDay, we support all the artists who can’t work and perform due to #COVID19 with the @UNESCO ResiliArt movement. 👇👇👇 https://t.co/m46EBZYxIv #ShareCulture https://t.co/lN6BdS3dry
UNESCOMay 01, 2020RT @news4anthros: "Dear White Anthropologists, Let Not Symbolism Overshadow Substance." Kimberley D. McKinson's piece on the need for a mor…
AmericanAnthroJul 08, 2020👁️ Cette tapisserie figurative, créée par Taheya Ibrahim (née en 1969, Egypte), s'inspire d'une scène de la vie rurale. Sur les détails, des oiseaux survolent des palmiers aux larges feuilles vertes et bleues. #CultureChezNous #MuseumFromHome https://t.co/lA39TVYx0Q
quaibranlyMay 18, 2020