Intangible Cultural Heritage in Times of ‘Superdiversity’: Exploring Ways of Transformation
Women’s Dances from the Javanese Court
Photo of the social media and activation campaign ‘#ikschrijfgeschiedenis' by which NGOtapis plein sensitises for ICH and cultural diversity (Fanfare De Vieze Gasten - Ghent).
you bent ici’ - Zinneke parade – Brussels.
Bedhaya Pankur danced at Taman Budaya Jawa Tengah, Surakarta, Indonesia, on June 28th, 2007. The blumbangon formation which depicts a battle scene.
Srimpi Gondokusumo danced at SMKN8 (SMKI), Surakarta, Indonesia on November 26th, 2006. The Tawing movement in which dancers maintain the face-to-face formation.
Srimpi Gondokusumo danced at SMKN8 (SMKI), Surakarta, Indonesia on November 26th, 2006. In srimpi choreography, two dancers are seated on the floor in a silent scene called a sirep.
Srimpi Gondokusumo danced at SMKN8 (SMKI), Surakarta, Indonesia on November 26th, 2006.The first part of the music in which the dancers all face the same way.
Srimpi Gondokusumo danced at SMKN8 (SMKI), Surakarta, Indonesia on November 26th, 2006.The Ridong Trap Dahi movement.
Bedhaya Pankur danced at Taman Budaya Jawa Tengah, Surakarta, Indonesia, on June 28th, 2007. The end of the performance showing the Mangenjali posture.
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