Volume 20
Performing Arts, Social Practices, Rituals and Festive Events
Port Eliot Festival: a crucible of creativity
Port Eliot Festival: a crucible of creativity
Understanding social metamorphosis of a tribal society in the Eastern Himalayas through intangible heritage
Intangible cultural heritage and societal gender structures: An interview study focusing on changes in gender roles and gender restrictions in Japanese float festivals
Living site, living values: the Matendera festival as practice in community conservation and presentation
Flooded Lands, Forgotten Voices: Safeguarding the Indigenous Languages and Intangible Heritage of the Nubian Nile valley
Why Local Governments Matters in Implementing the UNESCO 2003 Convention: the Case for ICCN
The Intangible Cultural Heritage of Wales: a Need for Safeguarding?
The System of Sponsorship for Processional Images and the Traditions Associated with them in Cabiao, Nueva Ecija, the Philippines
Free standing dry-stone-walling at Matendera, and the crown of the kopje from which the granite used to build the monument was sourced.
Traditional performances during the Matendera festival.
Participants showing traditional dishes they have prepared for the cooking competition.
Traditional dances performed by school children from nearby schools.
Nubian musician playing the traditional Nubian instrument - kisir
New Nubian social spaces in Absambal (Abu Simbel), Egypt.
The Nubian Languages and Culture Project launch poster
The First Nubian Culture and Tourism Festival brochure
ELAR archive homepage – a digital repository for Nubian documentation
Lake Nubia/Nasser, part of the Nubian submergence area created by the Aswan High Dam. Many ancient Nubian towns, villages and places are drowned under these waters.
Tango performance at the first ICCN Festival.
Street parade at the Gangneung Danoje festival.
Jojeonje morning ritual at the Gangneung Danoje festival.
Street parade during the first ICCN Festival.
The International Women's Forum at the second ICCN Festival.
The mambabasa (chanters) chanting the Passion of Christ in front of the images of the non-processional Santo Entierro (left) and the Nazareno of the Tercera Caida(right).
The silver carroza of Our Lady of Sorrows being prepared for the Holy Wednesday procession.
The carroza of the Santo Entierro is decorated with sampaguita garlands in preparation for the Good Friday procession.
A child dressed as an angel lifts the mourning veil of Our Lady during the Salubong ('encounter'), the early morning procession on Easter Sunday.
The silver carroza of Saint John is decorated with lotus flower motifs.
The carrozas that carry the images waiting in the courtyard of the church at Cabiao before the start of the procession.
The Nazareno of the Tercera Caida being prepared for the Holy Wednesday procession.
The images of Christ and the angel from the carroza of The Agony in the Garden were carved by Adrian Cristobal.