Volume 18
Social Practices, Rituals and Festive Events, Traditional Craftsmanship
Safeguarding manuscript-reading tradition as living heritage through ritual: mocoan tradition of an Osing family in Banyuwangi, Indonesia
Safeguarding manuscript-reading tradition as living heritage through ritual: mocoan tradition of an Osing family in Banyuwangi, Indonesia
UNESCO’s intangible cultural heritage and its polarising nature: A case study on Aalst Carnival
Safeguarding intangible cultural heritage through formal education in Flanders: A critical analysis of the implementation of the 2003 UNESCO Convention
Safeguarding ritual practices in the limestone cave areas along the Swahili coast of the Indian Ocean in Tanzania
Why Local Governments Matters in Implementing the UNESCO 2003 Convention: the Case for ICCN
The Role of Intellectual Property in Safeguarding Intangible Cultural Heritage in Museums
The links between safeguarding language and safeguarding musical heritage
The International Women's Forum at the second ICCN Festival.
Jojeonje morning ritual at the Gangneung Danoje festival.
Street parade during the first ICCN Festival.
Tango performance at the first ICCN Festival.
Street parade at the Gangneung Danoje festival.
Certificate of authentication used by the collective of Fine Ramie Weavers of Hansan Region (모시).
Demonstration of fine ramie weaving, Hansan regon in South Chungcheong Province. Photo: Seocheon County Hall.
A visit to Gijisi Juldarigi Museum in Korea reveals some extraordinary safeguarding methods, both digital and manual, for a folk game, a form of Tug-of-war.
Angklung Buhun played by the residents of Kanekes Village, Banten Province, Indonesia.
Royal festivities in Foumban, Cameroon.
Large pieces of quartz are baked in the kiln, then broken into tiny pieces and sieved to obtain fragments of three different sizes.
Large pots take a long time to decorate, so they are wrapped in plastic to ensure that the clay will not dry out too quickly.
Nisa’s inlaid ceramics were traditionally used for water, but nowadays they are produced mainly for decorative purposes.
Drawing the decorative motifs in the wet clay with a needle and other instruments is the responsibility of the more experienced pedradeiras’
The public awareness of the global threat to endangered languages and other forms of intangible cultural heritage is increasing.
Australian Aboriginal children at DanceSite, Alice Springs, which each year brings together indigenous people from remote communities across Australia to celebrate their intangible heritage.
Norwegian Saami singer Mari Boine, who performed in connection with the launch of the International Year of the World's Indigenous People in 1992.
Traditional musicians take part in a parade at Uyuni, Bolivia.